St Barbe Unsettled Landscapes: The Art of the Eerie – Lymington.com

Current exhibition at St Barbe Museum and Artwork Gallery 11 September 2021 – 8 January 2022

 

Unsettled Landscapes: The Artwork of the Eerie was created in response to an article written by prize worthwhile author Robert Macfarlane By which he recognized the eerie as:

‘…that Sort of fear That is felt first as unease, then as dread, and which is incited by glimpses and tremors pretty than outright assault. Horror specialises in confrontation and aggression; the eerie in intimation and aggregation. Its bodily penalties Are typically gradual and compound: swarming Inside the stomach’s pit, the inform-story prickle of the pores and skin.’

Macfarlane has developed his writings on The matter for an introductory essay Inside the catalogue which accompanies the exhibition. The English countryside is extra typically Associated to the previousoral: A spot of magnificence and peace, however There’s additionally A apply in art and literature That pulls on an innate strangeness and hostility. The exhibition explores artists’ reactions to historic panoramas and unquiet nature and their use Of sunshine, climate and season and the eerie influences of absence and presence to create an uncanny view of The agricultural world.

The exhibition is grouped round 4 overlapping themes:

Ancient Landscapes — options That are inexplicable and mysterious that join us to the unknown distant previous

Unquiet Nature — pure types used to unsettling influence, Similar to timber, lonely expanses of heath and the borderlands the place completely different worlds meet

Absence/Presence — how the inclusion or absence of figures and objects invoke the eerie by way of uncertainty and suggestion

Atmospheric Effect — the affect of climate, season, mild and time of day on our responses to panorama.

In the exhibition the mysteries of Avebury and Stonehenge are seen by way of the eyes of Paul Nash and Henry Moore, there are the spiky tree Sorts of Graham Sutherland and Monica Poole, Edward Burra’s unsettling late panoramas, Ithell Colquhoun’s Cornish animism, the angst-infused panoramas of Neo-Romantics John Craxton, John Minton and Michael Ayrton plus the disturbing visions of Tristram Hillier and Algernon Newton.

The eerie stays a compelling thread in modern art impressed by questions of looming ecological disaster, belonging, isolation and contested possession. The exhibition showcases George Shaw’s deserted edgelands, Jeremy Millar’s homage to W G Sebald, the hostility felt by Ingrid Pollard’s lone black walker, Blaze Cyan’s intimidating woodlands, the jarring intrusions seen in Jason Orton’s pictures, Annie Ovenden’s delicate atmospheres of unease and the chilling transformations of Laurence Edwards’ sculpture. Also featured are Francis Mosley’s illustrations for M R James ghost storys and hauntology-impressed work from the Ghost Area doc label.

A completely illustrated catalogue that consists of Robert Macfarlane’s essay accompanies …….

Source: https://www.lymington.com/event/unsettling-landscapes-the-art-of-the-eerie